About This Collection:

"After I moved last year from the Appalachian foothills of eastern Tennessee to San Antonio, Texas, I was surprised at how memories of the landscapes I had spent years painting on the east coast would come back to me suddenly. Standing in the arid heat next to a prickly pear cactus, I could close my eyes and step into a foggy morning, surrounded by moss and towering trees. It wasn’t until I moved that I realized how deeply those places and plants had burrowed themselves into my psyche, becoming an intrinsic part of my identity. At first I felt uprooted and pruned, as if I’d left behind not just my home, but parts of myself, too. The paintings in Familiar Haunts are portraits of the places where those parts of myself still dwell. In making this body of work, I was able to process the longing I felt for what I left behind and create space for a sense of groundedness in new soil."

Sarah Moore | San Antonio, Texas

Fog’s Edge

Regular price $ 2,400.00
Unit price
per 
woman artist
original art is always one of a kind

Medium: Acrylic on linen

Dimensions: 24" x 36"

Ready to hang

Sarah Moore
San Antonio, Texas

Sarah Moore brings a multi-disciplinary background in architecture and public health to her creative practice, focusing on the impact that connecting within nature has on our creativity, health, and well-being. Sarah earned an M.Arch degree from Washington University in St. Louis in 2012, and was a Danforth Scholar for the duration of her study there. She is based in San Antonio, TX by way of Knoxville, TN.

To see more from Sarah Moore and to sign up for early access, find her collection page here.

 

About This Collection:

"After I moved last year from the Appalachian foothills of eastern Tennessee to San Antonio, Texas, I was surprised at how memories of the landscapes I had spent years painting on the east coast would come back to me suddenly. Standing in the arid heat next to a prickly pear cactus, I could close my eyes and step into a foggy morning, surrounded by moss and towering trees. It wasn’t until I moved that I realized how deeply those places and plants had burrowed themselves into my psyche, becoming an intrinsic part of my identity. At first I felt uprooted and pruned, as if I’d left behind not just my home, but parts of myself, too. The paintings in Familiar Haunts are portraits of the places where those parts of myself still dwell. In making this body of work, I was able to process the longing I felt for what I left behind and create space for a sense of groundedness in new soil."