About This Collection:

In my paintings, I explore my identity and connection to place. I reflect on peaceful moments of solitary introspection in nature and intermingle those recollections with imagined details to create pictures of a place that feel authentic and reflective of my identity. With fast-drying acrylic, I layer immediate and spontaneous marks and glazes, building up on the surface to create depth and interest in my garden-like landscapes. As I paint, I consider relationships between marks, opacity, texture, colour, light, and shadow, manipulating them to deepen the layered sense of place until the painting reaches a balanced familiarity. Ground-level perspective and wild, weedy drifts of rhythmic grasses and plants invite lingering observation and a moment of grounded introspection for the viewer.

Jennifer L Mohr | Airdrie, Alberta, Canada

The Road Not Taken

Regular price $ 910.00
Unit price
per 
original art is always one of a kind

Medium: Acrylic on canvas

Dimensions: 24" x 20" x 1.5

Ready to hang

Jennifer L Mohr
Airdrie, Alberta, Canada

Jennifer L Mohr (she/her) is an artist investigating introspection, belonging, and nature in her acrylic paintings. Pushing beyond personal and found photographic reference, Jennifer creates imagined meadow scenes as a response to memory and feeling. Her paintings explore themes of self-reflection and introspection through grounding and intimate images of her beloved Prairie landscape. Jennifer holds a B.F.A. in painting from the University of Saskatchewan and her paintings have been acquired by collectors across Canada, the United States, and beyond. She lives and works in Airdrie, Alberta.

To see more from Jennifer L Mohr and to sign up for early access, find her collection page here.

About This Collection:

In my paintings, I explore my identity and connection to place. I reflect on peaceful moments of solitary introspection in nature and intermingle those recollections with imagined details to create pictures of a place that feel authentic and reflective of my identity. With fast-drying acrylic, I layer immediate and spontaneous marks and glazes, building up on the surface to create depth and interest in my garden-like landscapes. As I paint, I consider relationships between marks, opacity, texture, colour, light, and shadow, manipulating them to deepen the layered sense of place until the painting reaches a balanced familiarity. Ground-level perspective and wild, weedy drifts of rhythmic grasses and plants invite lingering observation and a moment of grounded introspection for the viewer.