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Pink Orange
Pink Orange
Pink Orange
Pink Orange

About This Collection:

"Garden Party"
These paintings and drawings celebrate the plants that grow in my garden and exist at the edge of it, and the processes that enable that growth. Petals, foliage, and kitchen scraps offer rich opportunities for the study of color, shape, and surface. I work from life, mostly outside, collecting observations of natural subjects over time. These unfolding cues guide my use of the the chosen medium - transparency and opacity, hard and soft transitions, color harmonies and dissonance. The works unfold as layered documents of the moments I spend looking.

Christina Weaver | Waynesville, North Carolina

Pink Orange

$ 300.00
original art is always one of a kind

Medium: Pen, colored pencil on paper

Dimensions:
Piece: 7" x 5"
Framed to 7.75" x 5.75"

Framed, ready to hang

Christina Weaver
Waynesville, North Carolina

Christina Weaver grew up in Birmingham, Alabama. She studied painting and drawing at the Pennsylvania Academy of the Fine Arts in Philadelphia and earned a Master of Fine Arts in Painting from Indiana University Bloomington. Christina has received the Elizabeth Greenshields Foundation Grant for artists who work representationally and in 2015, she was a resident artist at Manifest Gallery in Cincinnati, Ohio.

She teaches courses and workshops in a variety of settings and was recently an instructor of drawing and painting at the University of North Carolina in Asheville. Her work is exhibited nationwide, collected worldwide, and has been featured in Fine Art Connoisseur, The Artist’s Magazine, Southwest Art, and the Philadelphia Inquirer. Christina lives near Waynesville, North Carolina, in the heart of the Blue Ridge Mountains.

To see more from Christina Weaver and to sign up for early access, find her collection page here.

About This Collection:

"Garden Party"
These paintings and drawings celebrate the plants that grow in my garden and exist at the edge of it, and the processes that enable that growth. Petals, foliage, and kitchen scraps offer rich opportunities for the study of color, shape, and surface. I work from life, mostly outside, collecting observations of natural subjects over time. These unfolding cues guide my use of the the chosen medium - transparency and opacity, hard and soft transitions, color harmonies and dissonance. The works unfold as layered documents of the moments I spend looking.

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