About This Collection:

"Thresholds"
The window paintings, such as Sunday To-Do, are constructed from the vantage point of an intimate, interior space. The works imply the presence of a neighboring apartment building through the window as a parallel experience. Objects with specific emotional weight—books, notes, coffee pots—rest on the windowsill as vestiges of daily life. In the accompanying Threshold Studies, the opposite, exterior vantage point is taken, only revealing small fragments of life or vacancy—a blurred houseplant, a barely opened curtain, a “for-rent” sign in a likely-vacant apartment.

Mike Howat | Detroit, Michigan

Threshold Study (Warmer Light)

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original art is always one of a kind

Medium: Acrylic on paper

Dimensions:
Piece: 8" x 5"
Framed to 14" x 11"

Framed, ready to hang

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Mike Howat
Detroit, Michigan

See all available work here.

Mike Howat is a painter currently based in Metro Detroit. His work examines and depicts themes of urbanization, Americana, and collective memory, often through the lens of regional vernacular architecture. Buildings and built environments act as vessels in his paintings and sculptural works—conduits for exploring regional identity, personal history, and the evolution of place. Howat earned his B.F.A. from the New Hampshire Institute of Art and is currently an M.F.A. candidate at Cranbrook Academy of Art.

Howat has shown nationally, with recent exhibitions at Cove Street Arts (ME), Paradigm Gallery (PHL), Rochester Museum of Fine Arts (NH), Talon Gallery (PDX) and Carrie Secrist Gallery (CHI). His practice has been informed by residencies focusing on site-specific works including as the 2022 artist-in-residence at Gallery 263 in Cambridge, MA and as the 2026 artist-in-residence at Tiger Strikes Asteroid in Greenville, SC.

About This Collection:

"Thresholds"
The window paintings, such as Sunday To-Do, are constructed from the vantage point of an intimate, interior space. The works imply the presence of a neighboring apartment building through the window as a parallel experience. Objects with specific emotional weight—books, notes, coffee pots—rest on the windowsill as vestiges of daily life. In the accompanying Threshold Studies, the opposite, exterior vantage point is taken, only revealing small fragments of life or vacancy—a blurred houseplant, a barely opened curtain, a “for-rent” sign in a likely-vacant apartment.